Creative The european countries guidelines Essay

INNOVATIVE EUROPE

MASS MEDIA Sub-programme

SUPPORT FOR DEVELOPMENT

SINGLE PROJECT

AND

RECORD FUNDING

RULES

WARNING: The present call for proposals/ guideline can be subject to: п‚·

the final usage of the Dangerous the European Parliament and of the Council on establishing the Imaginative Europe Plan (2014-2020) hereafter referred to as 'the programme' by legislative power without significant modification,

п‚·

a positive thoughts and opinions or insufficient objection by committee set up according to Article twenty three of the Rules on building the Creative Europe Program,

п‚·

the of the appropriations provided for in the draft budget for 2014 following your adoption with the budget for 2014 by the budgetary authority or perhaps as provided for in the system of provisional twelfths

п‚·

the final adoption in the Commission Decision authorising the use of lump amounts under the MASS MEDIA Sub-programme within the Creative The european union Programme

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TABLE OF CONTENTS

1 .

2 .

three or more.

4.

five.

6.

six.

8.

9.

10.

11.

12.

13.

INTRODUCTION

OBJECTIVES AND FOCAL POINTS

2 . 1 .

Objectives and Priorities

installment payments on your 2 .

Targeted Projects

TIMETABLE

AVAILABLE BUDGET

ELIGIBILITY STANDARDS

5. 1 )

Formal Requirements

5. installment payments on your

Eligible countries

5. 3.

Eligible applicants

5. 4.

Eligible activities

EXCLUSION STANDARDS

6. 1 .

Exclusion via participation

6th. 2 .

Exemption from prize

6. three or more.

Support papers

SELECTION CONDITIONS

7. 1 )

Operational capability

7. installment payments on your

Financial ability

AWARD CONDITIONS

FINANCIAL CONDITIONS

9. 1 )

Contractual provisions and Payment procedure

9. 2 .

Assure

9. several.

Double financing

9. 4.

Funding technique

SUB-CONTRACTING AND AWARD OF PROCUREMENT CONTRACT

PUBLICITY, CONNECTION AND DISSEMINATION

11. 1 )

Publicity

11. 2 .

Connection and spread

DATA SECURITY

APPLICATION METHOD

13. 1 )

Publication

13. 2 .

Enrollment in the Individual Portal

13. 3.

Distribution of the grant application

13. 4.

Analysis procedure

13. 5.

Award decision

13. 6.

Rules applicable

13. 7.

Connections

Annexes:

All the annexes can be found on the EACEA/MEDIA website:

http://ec.europa.eu/culture/media/fundings/creative-europe/call_7_en.htm

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1 )

INTRODUCTION

These types of guidelines depend on Regulation Zero XX from the European Parliament and of the Council of XX/YY/2013 with regards to the implementation of the programme of support intended for the Euro cultural and creative sector (CREATIVE EUROPE). 1

The European Commission payment is responsible for the implementation with the Creative The european countries Programme and for the decision to grant person European Union money. The Education, Audiovisual and Culture Executive Agency hereafter " the Agency" manages the Culture and MEDIA Sub-programme on account and beneath the control of the European Percentage.

General background information about the Creative The european union programme is found on the following link: http://ec.europa.eu/creative-europe

2 .

AIMS - FOCUS

2 . 1

Objectives and Priorities

Inside the specific objective of rewarding the Euro audiovisual sector's capacity to operate transnationally and internationally one of the priorities of the MEDIA Sub-programme shall be to: п‚·

improve the capacity of audiovisual operators to develop Euro audiovisual works together with a potential to flow in the Union and further than and to facilitate European and international coproduction, including with television tv producers.

The MEDIA Sub-programme shall provide support for the subsequent measures: п‚·

п‚·

the introduction of European audiovisual works in particular films and television performs such as hype, documentaries, little one's and cartoon films, along with interactive functions such as videogames and multi-media with increased cross-border flow potential; activities aiming at supporting European audiovisual production corporations, in particular 3rd party production firms, with a view to facilitating Western and international coproductions of...



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